The Criterion Collection
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.
Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.
Essays
Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.
May 31, 1990 — Isabelle Huppert shot from minor actress to full-fledged French star with a mesmerizing performance as, ironically, a young woman who is incapable of escaping anonymity. In Swiss director Claude Goretta’s elegant, beautifully observed tragedy/character study, Huppert is “Pomme,” a lovely,...
The Daily
Jan 28, 2026 — TIFF Cinematheque salutes the surrealist master with a series of fresh restorations and rare 35 mm prints.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
Features
Dec 4, 2024 — Before she won acclaim as a pioneering director, the Hollywood icon made her name as a powerfully vivid actor who brought grit and toughness to films by such masters as Raoul Walsh, Nicholas Ray, and Michael Curtiz.
Oct 24, 2024 — The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.
The Daily
Apr 7, 2023 — Along with the new Cinema Scope, we’re reading Raúl Ruiz’s diaries and conversations with Agnès Godard and Gregg Araki.