First Man

Jun 19, 2019 — Jeremy Workman is a documentary filmmaker and award-winning editor of movie trailers, specifically for art-house, documentary, and foreign films. His latest documentary, The World Before Your Feet, was released to critical acclaim last November and played in movie theaters into...

Jun 13, 2018 — Ari Aster received his MFA in Directing from the AFI Conservatory. He has written and directed several short films, including The Strange Thing About the Johnsons (2011), Munchausen (2013), and Basically (2014). His films have played the New York Film...

Dec 2, 2022 — We’re sorting through the Sight and Sound poll and reading about Paweł Łoziński, the Sankofa Collective, and the first films ever made.

Apr 22, 2025 — The majestic landscape of Provence takes center stage in Claude Berri’s two-film adaptation of an epic tale by Marcel Pagnol, a cinematic treasure that remains an abiding source of comfort for French viewers.

Dec 13, 2024 — The week’s offered fine writing on Elaine May, Robert Siodmak and Ella Raines, and Christopher Nolan’s turning-point movie.

Sep 13, 2023 — Early reviewers find that, while the master of animation’s twelfth feature may be hard to follow, it’s impossible to resist.

Apr 26, 2022 — Bertrand Tavernier was well known as one of the world’s great champions of cinema, in addition to being a great filmmaker himself. He was also a lifelong student and fan of jazz music and had been wanting to make a...

Nov 30, 2020 — Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...

Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.