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Black Book

May 21, 2019 Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 10, 2019 This week has seen surveys of the careers of Abbas Kiarostami and screenwriter Jean-Claude Carrière and deep dives into milestone works by George Cukor and Andrei Tarkovsky.

May 2, 2019 “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

May 1, 2019 With three, possibly four new films opening this year, Ferrara returns to New York to attend MoMA’s retrospective.

Apr 12, 2019 This week sees further remembrances of Agnès Varda, reflections on Godard then and now, and appreciations of a vital but too often overlooked filmmaker, Nelly Kaplan.

Mar 28, 2019 Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...

Mar 26, 2019 As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

Mar 25, 2019 The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.

Mar 21, 2019 “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Mar 11, 2019 It doesn’t take more than a few minutes of watching a Khalik Allah film to intuit that he’s a photographer. Over the course of just two documentary features, the thirty-four-year-old, New York–bred artist has developed an instantly recognizable style at...

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