As One

Jun 27, 2019 — Members of the cast and crew of Hedwig and the Angry Inch discuss the film’s defiant approach to questions of identity and politics.

Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.

Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...

May 31, 2019 — Channel Calendars The Man Who Fell to Earth (1976) It’s vacation season, and we have a month of exciting journeys for you on the Criterion Channel. Get ready to travel through Europe with Ingrid Bergman, get lost in the enigmatic...

May 24, 2019 — From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...

May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.

May 14, 2019 — It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...

May 13, 2019 — Whether he was adapting Lillian Hellman or Stan Lee, Sargent excelled at locating the human heart beating at the center of the story.

May 8, 2019 — New restorations premiering in Cannes and Karlovy Vary and series in New York and London testify to our ongoing fascination.

May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...