A Private Life

Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

Dec 10, 2018 — Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.

Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Nov 7, 2017 — “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Jun 5, 2017 — Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

Oct 2, 2014 — People struggle to escape their socially dictated roles in Rainer Werner Fassbinder’s moving, Douglas Sirk–inspired melodrama.

Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.

Aug 24, 2010 — Josef von Sternberg’s The Last Command (1928) was first and foremost a star vehicle for Emil Jannings, the internationally known, Swiss-born actor, who had left Germany in October 1926 to work for Paramount Pictures. During his two and a half...