The Criterion Collection
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.
Essays
Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.
Aug 27, 2013 — Ernst Lubitsch’s World War II–era high-wire act is a profound take on the absurdity cruelty of civilization and a perfect black comedy to boot.
Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...
Aug 28, 2012 — A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...
Sep 22, 2009 — Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...