The Criterion Collection
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
The Daily
Sep 6, 2019 — In Nang, young writers celebrate Asian cinema in honor of Alexis Tioseco and Nika Bohinc, and new issues of other titles offer fresh reviews and interviews.
The Daily
Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.
The Daily
Sep 5, 2019 — Fans of the Swedish director will know what to expect, but he seems to be taking his unique vision in a slightly new direction.
The Daily
Sep 4, 2019 — After Laurence Olivier and Kenneth Branagh, it’s Timothée Chalamet’s turn to lead the English to the Battle of Agincourt.
The Daily
Sep 3, 2019 — Early verdicts diverge as widely as opinions on how to respond to the very idea of a new film by Roman Polanski.
The Daily
Sep 3, 2019 — Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.
Sneak Peeks
Sep 3, 2019 — The twenty-five-year-old Marco Bellocchio certainly didn’t pull any punches with his stylish, subversive debut feature. Following a young man (Lou Castel) in the provinces who sets out to do away with his own dysfunctional family, Fists in the Pocket (1965)...
On the Channel
Sep 3, 2019 — In the early sixties, John Schlesinger made a name for himself as part of the British New Wave, as the energetic, gritty realism of his first few features—A Kind of Loving, Billy Liar, and Darling (for which Julie Christie won...