The Criterion Collection
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
Aug 17, 2003 — Iwrote my first drama when I was seventeen. I showed it to Ingmar Bergman who then was twenty-four. Later on in life I started to write screenplays and needed to know how a director works. So I put a question...
Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.
Essays
Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.
Essays
Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.
Essays
Jan 21, 2002 — A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.
Essays
Oct 15, 2001 — The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.
Oct 15, 2001 — The French director’s crime film conveys both the flow and the form of the prison experience.
Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.
Essays
Jul 9, 2001 — With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...