The Criterion Collection
On the Channel
Nov 28, 2018 — In the 1940s, the nonlinear narrative began to enter the mainstream, as films like Citizen Kane and Double Indemnity boldly did away with the chronological mode that had dominated the cinematic storytelling of decades prior. While the visionary Orson Welles...
Nov 28, 2018 — It’s not every day that you see duds like these. One of the boldest splashes of local color in David Byrne’s True Stories—a genre-defying odyssey to the weird and wonderful world of north-central Texas—comes midway through, during a fashion show...
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
The Daily
Nov 22, 2018 — Family movies, Wellesian moments, and the female gaze are among this week’s highlights.
Nov 20, 2018 — In this video, the Oscar-winning director of The Shape of Water explains how the mix of terror and lyricism in Charles Laughton’s masterpiece went on to influence his own style.
The Daily
Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.
Nov 19, 2018 — The great German director reflects on her first experience with Ingmar Bergman’s classic meditation on mortality, a film that opened her eyes to the possibilities of cinema.
The Daily
Nov 19, 2018 — Taipei hosts an evening of surprises and controversy.
On the Channel
Nov 18, 2018 — This diva of the screen brought a touch of elegance and no-nonsense wit to her roles in Waiting Women, Smiles of a Summer Night, and other Bergman gems.