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Nov 25, 2015 — Repertory PicksDecember is but a few days away, so it’s an ideal time to revisit Metropolitan, Whit Stillman’s classic holiday tale of New York's “urban haute bourgeoisie.” And this week, the director's influential 1990 gem will screen in Florida at...

Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.

Nov 24, 2015 — Film scholar David Bordwell has written a terrific new piece for his blog about the incredible influence and evolution of Agnès Varda’s six-decade-long filmmaking career. “Varda is now regarded as a living treasure of world cinema,” Bordwell writes. “Whatever she...

Nov 24, 2015 — Our new release of In Cold Blood, Richard Brooks’s chilling 1967 true-crime masterpiece, features an interview with film critic and jazz historian Gary Giddins, who offers a wonderfully illuminating examination of legendary record producer Quincy Jones’s music for the film....

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Nov 19, 2015 — Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.

Nov 19, 2015 — There’s no better time than a crisp Sunday evening in November to cozy up and take in a spooky Victorian ghost story. This weekend, if you’re in Columbia Heights, Minnesota, you can do just that.

Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.

Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”

Nov 17, 2015 — Satyajit Ray began his filmmaking career by offering a vision of the young Apu, the character he would go on to follow throughout the three films of his stunning breakthrough epic.