The Criterion Collection
Sep 2, 2014 — The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...
Jul 22, 2014 — Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Features
May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.
Features
Jan 27, 2014 — The author’s encounters with the great Indian filmmaker.
Sneak Peeks
Oct 8, 2013 — René Clair’s I Married a Witch is among the buried treasures of 1940s American filmmaking. As the title promises, this is the most fanciful of screwball comedies, one with a peculiar charm that may take you by surprise. Known as...
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
Feb 14, 2013 — David Bordwell and Kristin Thompson’s textbook Film Art, a cornerstone of the cinema studies discipline, was first published in 1979 and is now in a tenth edition. Over the years, some sections have been taken out, either to make room...
Essays
Jul 17, 2012 — Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...
May 17, 2012 — Robert Downey Sr. and Paul Thomas Anderson have been close friends for years. (You can see Downey in a memorable cameo as a record producer in Anderson’s 1997 film Boogie Nights.) Last month, the two directors came to the Criterion...