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Into the Okavango

Nov 12, 2017 In Wayne and Ford: The Films, the Friendship, and the Forging of an American Hero, Nancy Schoenberger “has hidden a provocative thesis,” suggests Stephen Metcalf, writing for the Atlantic. “She asks us to remember the beauty of masculine self-mastery as...

Oct 24, 2017 “Federico Luppi, a dignified Argentine actor well known for his complex performances in the dark fantasy films of Guillermo del Toro, died on Friday in Buenos Aires,” reports Daniel E. Slotnik in the New York Times. Luppi, seen above with...

Oct 8, 2017 “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel...

Sep 12, 2017 New York. Tomorrow, Light Industry presents A Straighter Kind of Hip, a lecture by Felicity D. Scott. From Friday through September 24, the Museum of the Moving Image presents Film Is Like a Battleground: Sam Fuller’s War Movies. On Thursday,...

Aug 30, 2017 “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...

Jul 5, 2017 Robert Pattinson is on the cover of the new issue of Film Comment and online we find a brief excerpt from editor Nicolas Rapold’s interview with the star of Josh and Benny Safdie’s Good Time.Amy Taubin describes what, for her,...

Jul 4, 2017 The great character actress delivers a lusty, unbridled performance as a preacher’s daughter in this late-career gem from John Huston.

May 23, 2016 “It was just fun,” Robert Downey Sr. says of his early New York filmmaking days, in a new interview with Bilge Ebiri for the Village Voice.

Jan 15, 2016 The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.

Sep 24, 2014 Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.

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