The Criterion Collection
The Daily
Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
The Daily
Jul 28, 2020 — Having won the hearts of audiences and costars, one of the brightest lights of Hollywood’s golden age also scored a landmark victory in the courts.
On the Channel
Jul 1, 2018 — In one of Criterion’s earliest commentary tracks, Martin Scorsese and Paul Schrader talk about how they got lucky with their gripping New York City classic.
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
The Daily
Aug 17, 2023 — As MINAMATA Mandala finally arrives in theaters, Anthology Film Archives presents a retrospective.
The Daily
Apr 19, 2023 — Paul Thomas Anderson, Maria Schneider, and fictional figures—Blanche DuBois and Juliet Capulet—figure in this month’s roundup.
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
Jun 10, 2020 — Years ago I took a seminar on movie stars led by the writer Wayne Koestenbaum, a glittering episode that closed out a rather colorless stint in graduate school. The syllabus was replete with inspired double bills—Deleuze on Leibniz + Lana...
Mar 31, 2020 — The Prince of Tides (1991) is the high-water mark in a long and distinguished career in cinema. From the phenomenally successful 1968 musical Funny Girl through her meticulous 1983 rendering of Yentl, Barbra Streisand had earned her place among the most respected artists in...