The Criterion Collection
Sneak Peeks
Jan 30, 2017 — It wasn’t until the second half of his life that Senegalese master Ousmane Sembène dedicated himself to cinema, with his debut feature, Black Girl, premiering in 1966 when he was forty-three. Already an acclaimed novelist, Sembène had lived in France...
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
The Daily
Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.
The Daily
Feb 26, 2021 — Besides Abbas Kiarostami, Rebecca Hall, and Djibril Diop Mambéty, we’re also reading about TikTok and the greatest movie endings ever.
The Daily
Nov 7, 2018 — Multimedia exhibitions of work by Andy Warhol, Chris Marker, Pedro Costa, and others are now on view around the world.
Jun 4, 2018 — An exhibition draws comparisons and contrasts between the works of the father and son.
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.