The Criterion Collection
The Daily
May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.
On the Channel
Apr 24, 2019 — Channel Calendars The Women (1939) It’s going to be a packed month on the Criterion Channel, with a spotlight on the unforgettable female characters of a classic Hollywood master, a tribute to the great Japanese cinematographer Kazuo Miyagawa, a new...
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Apr 11, 2018 — Sabzian alerts us to two new images from Jean-Luc Godard’s Le livre d’image posted by Casa Azul Films, which tells us that we can expect the film some time this year. Ioncinema’s Nicholas Bell is hoping to see it in...
The Daily
Jan 8, 2018 — Hirokazu Kore-eda has begun work on an as-yet-untitled film already slated for release in Japan in June, reports Patrick Frater for Variety. “The story, which the director has been developing for some ten years, involves a small girl who is...
Dec 14, 2017 — Guillermo del Toro will co-write (with Kim Morgan), direct, and produce a remake of Edmund Goulding’s Nightmare Alley (1947; image above), reports Variety’s Justin Kroll, noting that the original “starred Tyrone Power as an ambitious young con-man who hooks up...
Aug 2, 2017 — Writer-director Michael Almereyda spoke with us about his two latest films and the passions that continue to fuel his creative life.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.