The Criterion Collection
Jul 22, 2020 — Here’s the latest on how Venice, Toronto, Locarno, and other festivals are radically rethinking this year’s editions.
Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyperbole in the statement; considering the role that...
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Features
Aug 13, 2018 — From Jeremy Irons in Dead Ringers to Kazuo Hasegawa in An Actor’s Revenge, performers who multitask as several characters in a single film tap into the essential uncanniness of cinema itself.
The Daily
May 12, 2018 — Critics are split over this Egyptian road movie, the only debut feature in competition.
The Daily
Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...
On the Channel
Jul 31, 2017 — In this clip from an episode of Split Screen, now playing on the Criterion Channel on FilmStruck, underground cinema icon Jonas Mekas recounts the wealth of viewing possibilities for moviegoers in midcentury New York.
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.
Feb 22, 2009 — “Let me have men about me that are fat.” —Julius Caesar, act 1, scene 2 Just as Raymond Chandler’s Philip Marlowe admired small, brave men who stick to their principles, I like—in the movies at least—heavyset, flamboyant types who walk...
The Daily
May 1, 2026 — A new month begins with a Visconti restoration, a new issue of Senses of Cinema, and a deep backgrounder on Backrooms.