The Criterion Collection
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyperbole in the statement; considering the role that...
The Daily
May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.
Apr 19, 2019 — Performances No other comedian could milk a pause for a laugh quite the way Jack Benny could on his radio program, which lasted from 1932 to 1955 and turned him into an American institution. (He also did a TV show...
Interviews
Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...
The Daily
Mar 12, 2019 — The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.
Production Notes
Jan 31, 2019 — Trailblazer Elaine May altered the landscape of comedy and screenwriting, and in the three films she directed in the 1970s—A New Leaf (1971) , The Heartbreak Kid (1972), and Mikey and Nicky (1976)—she brought a fresh, often uncomfortable perspective to the portrayal of...
The Daily
Dec 6, 2018 — Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Aug 13, 2018 — Looking back on the highlights of the seventy-first edition.