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Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Sep 10, 2017 — Guillermo del Toro’s The Shape of Water has won the Golden Lion at this year’s Venice International Film Festival. We’ve been gathering reviews here, and we’ll carry on, too, as the film screens in Toronto throughout the coming week.This year’s...

Sep 7, 2017 — “A central tenet of feminist film theory holds that the havoc wreaked on the bodies of women propels narrative storytelling,” writes Holly Willis in the new issue of Film Comment. “The new film by Jean-Pierre and Luc Dardenne, The Unknown...

Sep 6, 2017 — When Dee Rees’s Mudbound premiered at Sundance, I gathered a first round of reviews, beginning with Justin Chang’s for the Los Angeles Times: “Adapted from Hillary Jordan’s novel, Mudbound sketches a vivid, dirt-under-the-nails panorama of 1940s Mississippi farm country, centered...

Aug 23, 2017 — Following the lineups for the New York Film Festival’s Main Slate and Projections program, the Revivals and the Retrospective, the Film Society of Lincoln Center now presents the complete lineup for the Spotlight on Documentary section.For descriptions and further details,...

Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.

Aug 12, 2017 — At Shadowplay, David Cairns has posted David Melville Wingrove’s tribute to Conchita Montenegro, whose career in theater and film took her around the world from the late 1920s through the mid-40s. Her “triumphant final film” would be the 1944 Spanish...

Aug 11, 2017 — “Mrs. Fang is a study of a face and a sober essay on death,” writes Rory O’Connor at the Film Stage. “It’s also about fishing. As profoundly moving as it is troubling, this new masterwork from documentary filmmaker Wang Bing...

Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.

Aug 3, 2017 — Pedro Almodóvar’s pitch-black comedy Women on the Verge of a Nervous Breakdown, his first film to earn an Oscar nomination, plays in Denver this Saturday and next Monday.