The Criterion Collection
The Daily
Jan 6, 2018 — We begin this round on the best of 2017 with awards, because the National Society of Film Critics has just announced theirs. Forty-four of the Society’s fifty-nine members have cast ballots, and the majority of them are champions of Greta...
The Daily
Jan 4, 2018 — Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....
The Daily
Jan 3, 2018 — Ingmar Bergman was born on July 14, 1918, and exhibitions and film series celebrating the hundredth anniversary are already underway. Update, 1/5: Ingmar Bergman’s Cinema, a Janus Films retrospective of twenty-four works, will open at New York’s Film Forum on...
The Daily
Dec 29, 2017 — We open a round of holiday listening and viewing with Bill Simmons and Sean Fennessey’s conversation (99’38”) at the Ringer with Paul Thomas Anderson about Phantom Thread, the few brief clashes he had with Burt Reynolds on the set of...
The Daily
Dec 26, 2017 — On January 5, First Look 2018 will open at the Museum of the Moving Image in New York with the U.S. premiere of Blake Williams’s PROTOTYPE, “a work of speculative fiction that takes its starting point from the 1900 hurricane...
The Daily
Dec 23, 2017 — Let’s first take a quick break from 2017 and look back fifty years (as I suspect we’ll be doing a lot in 2018). For Little White Lies, Justine Smith has been rifling through various archives and has put together a...
The Daily
Dec 22, 2017 — “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...
Essays
Dec 21, 2017 — The result of a tumultuous production, Orson Welles’s eccentric take on Othello infuses the play with a convulsive rhythm and disorienting sense of abstraction.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
Dec 20, 2017 — Eric Kohn introduces the results of IndieWire’s 2017 Critics Poll: “More than 200 critics and journalists from around the world participated in the eleventh edition of the poll, making it the largest international critics survey of its kind.” Jordan Peele’s...