New Morning

Feb 17, 2017 — In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...

Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.

Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.

Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.

Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

Jun 4, 2016 — Wim Wenders’s road movies, Michael Almereyda writes, are “at once minimal and romantic, austere and lyrical,” focusing on questions—of individuals and society, culture and nature—that Wenders has returned to throughout his career.

Jun 3, 2016 — During the second incarnation of this festival dedicated to movies preserved on nitrate film, Jared Case, the festival’s executive director, talks about his work bringing the Nitrate Picture Show to life, selecting this year’s films, and why nitrate remains a...

May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.

May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.