The Criterion Collection
Feb 12, 2020 — If you were born in Mexico City in the second half of the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...
Features
Jan 24, 2020 — All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...
Jan 16, 2020 — Cannes and Venice select jury presidents, and the Berlinale will present new work by Damien Chazelle, Athina Rachel Tsangari, and more.
Jan 8, 2020 — When it comes to building a genuine relationship between characters on-screen, how do you capture the feeling of a shared history? How much begins with what’s written on the page, and how much relies on the chemistry between actors or...
Jan 3, 2020 — The director of Margaret and Manchester by the Sea celebrates Hollywood’s greatest humanist, whose films are featured in a series now playing on the Criterion Channel.
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
Dec 4, 2019 — Songbook Midway through Andrea Arnold’s Fish Tank (2009), the plot pivots on a song. “You’ve got some weird shit in here,” says Joanne (Kierston Wareing,), riffling through the CDs in her new boyfriend’s car. It’s the morning after a boozy...
The Daily
Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.
Features
Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...