The Criterion Collection
Features
Dec 3, 2021 — Deep Dives A baby lies in a crib and drinks from a bottle of water; a little girl, her mother, and her teddy bears enjoy a tea party; a smiling father helps his children out of the car; couples court...
The Daily
Nov 29, 2021 — The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
Nov 17, 2021 — Having won major prizes in Berlin and Cannes, the director has been talking openly about his background, influences, and working methods.
The Daily
Nov 4, 2021 — So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”
The Daily
Oct 18, 2021 — Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”
The Daily
Sep 28, 2021 — Adoption was the first Hungarian film to compete in Berlin—and the first film directed by a woman to win the Golden Bear.
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.