Girl

May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

Apr 27, 2022 — Cannes sets its juries, Directors’ Fortnight selects its shorts, Locarno honors Laurie Anderson, and Sundance lines up a big London edition.

Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Apr 25, 2022 — During a precarious time for film exhibition, Inney Prakash, a programmer at the Maysles Documentary Center in Harlem, New York, had an idea to rethink the bounds of nonfiction cinema. He ended up conceiving Prismatic Ground, a festival that launched...

Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.

Apr 20, 2022 — Running parallel to Cannes, two independent programs will present work ripe for discovery.

Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.

Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

Apr 11, 2022 — Whit Stillman pays tribute to illustrator Pierre Le-Tan and Genevieve Yue, Gary Indiana, and Dennis Lim discuss their new books.

Apr 8, 2022 — This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.