The Criterion Collection
Mar 19, 2007 — In 1945 Arthur Fellig, known as Weegee, a canny and gifted tabloid newspaper photographer, did something unprecedented: he assembled some of his best shots, of corpses and fires and arrests and crowds and spectacles, and made them into a book,...
Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.
Mar 12, 2007 — Kon Ichikawa’s incendiary and extraordinarily brutal war film renders the emotional carnage that festers long after the battle’s end.
Jan 22, 2007 — Spencer Gordon Bennet’s eclectic science fiction–adventure movie bundles a serious patriotic message within its retelling of the Odysseus myth.
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Essays
Nov 27, 2006 — Centered on the destruction wrought by unbridled female eros, Pandora’s Box would, in its shockingly modern, instinct-driven psychology, end up defining both its director and its star.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
Feb 21, 2006 — Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....
Jan 5, 2006 — A gray flannel ghost story in which the living haunt the dead, the least appreciated of Akira Kurosawa’s midperiod collaborations with Toshiro Mifune throws open the windows of Japanese corporate corruption.