The Criterion Collection
Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
May 5, 2021 — Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Jan 7, 2021 — That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...
The Daily
Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)
Jun 7, 2016 — Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
The Daily
Mar 13, 2026 — SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.
The Daily
Feb 26, 2025 — This month brings deep dives into the work of Ken Loach and Radu Jude as well as new books on Isabelle Huppert, Holly Woodlawn, and more.