The Criterion Collection
Short Takes
Nov 17, 2015 — Max von Sydow has spent the past six decades cultivating one of cinema’s most illustrious careers, and now, at eighty-seven, the Swedish actor “may be on the verge of becoming a pop-culture icon,” writes Terrence Rafferty in the Atlantic.
Essays
Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.
Nov 6, 2015 — As part of the launch of the new French streaming video service La Cinetek—which was founded by the filmmakers Pascale Ferran (Bird People), Cédric Klapisch (Chinese Puzzle), and Laurent Cantet (Return to Ithaca), as well as Alain Rocca, president of...
Nov 4, 2015 — Linklater circa 1990 In 1985, six years before the release of Slacker, Richard Linklater's iconic portrait of a generation, the Texan filmmaker founded the Austin Film Society. The group began as a small band of cinephiles eager to see classic,...
Short Takes
Sep 21, 2015 — During his off hours from running the country, President Jimmy Carter was quite the film fanatic, according to an amusing piece by Matt Novak on the Gizmodo site Paleofuture. Novak, after “painstakingly going through the president’s daily journal,” reveals that...
Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.
Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.