May 25, 2010 Between 1952 and 2003, depending on how the various serial works are counted, Stan Brakhage made somewhere between 350 and 400 films, about half of them short film poems under ten minutes in length, most of the rest between ten...

Apr 20, 2010 In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...

Nov 24, 2009 For twenty years, the remains of television’s self-proclaimed golden age lay dormant in the vaults of the commercial networks. I remember traveling, as a young researcher for NBC, to Englewood Cliffs, New Jersey, where the old shows of the fifties...

Oct 29, 2009 In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...

Oct 19, 2009 Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...

May 20, 2009 Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...

Apr 27, 2009 Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.

Apr 20, 2009 The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.

Feb 11, 2009 In honor of the bicentennial of the birth of Abraham Lincoln, we’ve revisited John Ford’s great portrait of the leader as a preheroic man, Young Mr. Lincoln, and picked this clip to mark the moment. The beauty of it, we...

Nov 27, 2008 Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.

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