The Criterion Collection
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
The Daily
Mar 12, 2019 — The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.
Essays
Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.
Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...
The Daily
Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
Jan 10, 2019 — The February festival’s added eleven films to its competition and another six to the Berlinale Special program.
The Daily
Jan 7, 2019 — Critics are fine with the actors who’ve won Golden Globes this year—as for the films they appear in, not so much.
Jan 4, 2019 — The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.