The Criterion Collection
Features
Jul 8, 2011 — I was scared to death about The Lady Eve. I happen to love pratfalls, but as almost everything I like, other people dislike, and vice versa, my dearest friends and severest critics constantly urged me to cut the pratfalls down...
Aug 14, 2006 — It’s both hard and not so hard to believe that Eric Rohmer’s Six Moral Tales were conceived—indeed, written initially—as a novel. On the one hand, he’s the grand master of dialogue as an instrument of narrative. His characters muse, reflect, analyze,...
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
Essays
Jul 9, 2001 — With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...
Visual Analysis
Nov 29, 2016 — In the first installment of our new video series Under the Influence, the Moonlight director waxes rhapsodic about Chungking Express and In the Mood for Love.
The pair behind the cult-favorite sketch comedy series Portlandia joined us at the Criterion Mobile Closet in Portland, Oregon, where they shared their love for Being There and After Hours, talked about their favorite Ingmar Bergman movies, and gifted each...
The actor and director shares her love for the films of Céline Sciamma, talks about the Olympic Games documentary Visions of Eight, and reminisces about watching Berlin Alexanderplatz with her mom.
The actor shares his love for Stranger Than Paradise and Dekalog, talks about being both freaked out and deeply moved by The Tin Drum, and praises Richard E. Grant’s performance in Withnail and I as one of the best of...
The actor shares her longtime love for the films of Akira Kurosawa, talks about seeing Children of Paradise at an art-house cinema in the 1940s, and fondly recalls riding a scooter with Richard Roundtree.
The musician, producer, filmmaker, author, and actor reminisces about discovering Black Orpheus through Prince, shares his love for concert films like Monterey Pop and Gimme Shelter, and talks about how Spike Lee’s films have always been ahead of their time.