Dec 23, 2019 Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...

December Books

The Daily

Dec 19, 2019 Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.

All That Dance!

The Daily

Dec 13, 2019 A crash course in the history of dance on film and an in-depth conversation about Pedro Costa are among this week’s items of note.

Dec 10, 2019 Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyper­­bole in the statement; considering the role that...

Nov 29, 2019 The BBC polls 368 critics and programmers to come up with a list of the greatest films directed by women—plus more of the best of the 2010s and 2019.

Nov 25, 2019 Karyn Kusama has always been fascinated by what terrifies and startles audiences. A director who has won acclaim for her fresh, surprising spins on familiar genres—from teen horror (Jennifer’s Body) to the detective thriller (Destroyer)—she has drawn creative inspiration from masters of...

Nov 17, 2019 Under the Influence As an aspiring filmmaker in the early nineties, Ira Sachs first sat down to watch Chantal Akerman’s 1975 feature debut, Je tu il elle, about an adrift young woman (played by the director herself) grasping for human connection. At the...

Nov 15, 2019 It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...

November Books

The Daily

Nov 11, 2019 This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Hotel Noir

Features

Nov 11, 2019 Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

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