A Last Note

May 25, 2017 — The vast majority of Cannes top-prize recipients have been either European or American, which makes it all the more worthwhile to note those winners that come from historically underrepresented nations. At the 1997 ceremony, Iran’s flourishing film culture enjoyed a...

Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.

Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...

Feb 1, 2011 — This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique.At the opening ceremony of the 1996 Cannes Film Festival, actress Irène Jacob was asked to pay tribute to Krzysztof Kieślowski, who...

Apr 21, 2010 — This piece originally appeared in La revue du son in December 1962, and was translated by Royal S. Brown for his 1972 book Focus on Godard. When Jean Collet submitted the article for the collection, he wrote that his remarks...

Apr 21, 2009 — “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...

Jan 22, 2026 — Ryan Coogler’s genre mashup now leads what has become a genuine race.

Sep 10, 2024 — A commanding presence on the stage and on movie and television screens, Jones could perform wonders with that voice.

Apr 27, 2023 — The critic and filmmaker has put together a series that celebrates “a New York of the collective imagination.”