The Criterion Collection
Mar 12, 2021 — Deep Dives I can think of few movies that express the pain of being young better than Hiroshi Teshigahara and Kobo Abe’s Ako (1964). I first happened upon it by chance, lurking among the supplements on the Criterion edition of...
The Daily
Oct 27, 2020 — A good number of film publications are reminding us that this is the season for terrifying ourselves.
On the Channel
Sep 30, 2020 — Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.
Interviews
Jun 18, 2020 — When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
The Daily
Jan 14, 2020 — There’s been a whole of kvetching, but also a bit of celebrating since the nominations were announced on Monday.
The Daily
Nov 4, 2019 — The Viennese avant-gardiste recontextualized found footage to create a landmark trilogy.
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
Features
Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.