The Criterion Collection
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Short Takes
Jul 11, 2016 — In anticipation of a retrospective tribute to the collaborations of Rowlands and filmmaker John Cassavetes, we look at a candid conversation with the actor.
Apr 14, 2016 — In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”
Essays
Jun 25, 2015 — German director Bernhard Wicki proved his uncommon cinematic skill with his heartbreaking tale of teen soldiers sent off to die near the end of World War II.
Features
May 7, 2015 — Movie comedies about moviemaking through the decades
May 1, 2015 — In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.