In Gefahr und größter Not bringt der Mittelweg den Tod

Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.

Sep 26, 2022 — For this new illustration, Spanish artist David de las Heras combined his signature use of bold colors with the lush style of French postimpressionist Henri Rousseau, a key visual influence on Atom Egoyan’s 1994 film.

Sep 23, 2022 — This week: An appreciation of Marilyn Monroe, a conversation with Karim Aïnouz, and a preview of the year’s scariest season.

Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.

Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.

Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.

Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.

Aug 12, 2022 — The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.

Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.

Aug 3, 2022 — Film at Lincoln Center’s retrospective ranges from silent classics and intimate melodramas to sprawling westerns and historical epics.