The Criterion Collection
Apr 26, 2016 — Combining Turner Classic Movies’ programming experience with Criterion’s library of films and supplemental content made all the sense in the world.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.
Sneak Peeks
Apr 25, 2016 — The filmmaker’s heartbreaking 1945 tale of forbidden love remains one of the screen’s all-time most romantic films.
Apr 22, 2016 — Writer Harold Schechter shares a list of five true-crime films that encapsulate the essence of fear—including collection favorites In Cold Blood, The Honeymoon Killers, and Badlands—in the Library of America’s biweekly Moviegoer column.
Apr 21, 2016 — Tomorrow, the Film Society of Lincoln Center begins its fascinating series An Early Clue to the New Direction: Queer Cinema Before Stonewall, organized by programmer at large Thomas Beard.
Apr 20, 2016 — In an interview published this week at the A. V. Club, writer Adam Nayman sits down with actor Nina Hoss, the star of Christian Petzold’s haunting 2014 film Phoenix, which we’re releasing on disc next week. The film is a...
Apr 16, 2016 — Last week, at the Metrograph, New York City’s newest art-house cinema, we held our inaugural installment of Criterion Live!, in honor of our forthcoming release of The Kennedy Films of Robert Drew & Associates. Hosted by Criterion president Peter Becker...
Apr 14, 2016 — In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.
Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”
Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.