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Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.

Sep 24, 1990 — Imagine Hitchcock’s Psycho told from the point of view of its title character, and you have a rough idea of Taxi Driver. This riveting 1976 film is at once a thriller, a psychological case study, an exploration of the eroticism...

Jul 1, 1990 — Jacques Tati’s radiant comedy charms first by its fresh simplicity and later by the depth and richness of its technique.

Jul 1, 1990 — Molded by Alfred Hitchcock’s direction and David O. Selznick’s editing, the film plays upon the conventions of the Gothic melodrama without ever losing its characters’ humanity.

Jun 24, 1990 — Some films have become famous simply because they’ve sold a lot of tickets. Others have major studio publicity machines behind them, the better to hog the spotlight. Still others earn their fame the hard way through genuine critical acclaim. But...

May 31, 1990 — Isabelle Huppert shot from minor actress to full-fledged French star with a mesmerizing performance as, ironically, a young woman who is incapable of escaping anonymity. In Swiss director Claude Goretta’s elegant, beautifully observed tragedy/character study, Huppert is “Pomme,” a lovely,...

Apr 23, 1990 — Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.

Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Dec 18, 1989 — Billy Wilder’s comedic genius is on full display in this beloved classic starring a never-better Marilyn Monroe and Tony Curtis, who spends most of the film in drag.