The Work

Aug 28, 2019 — Over the course of their legendary thirty-five year creative partnership, director Yasujiro Ozu and screenwriter Kogo Noda together conceived twenty-seven films, many of them masterpieces. Their long, close collaboration—which produced such gently profound, internationally celebrated family portraits as Late Spring...

Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.

Jul 12, 2018 — French master René Clair, who achieved comedy magic at the dawn of film sound, takes the spotlight in a program next Wednesday at the Miami Beach Cinematheque.

Jun 5, 2018 — Both award-winning directors are committing to television projects even as they carry on making feature films.

Apr 20, 2018 — “Jiri Trnka didn’t craft his puppet-cartoon shorts and features merely to imitate life,” writes Michael Sragow for Film Comment. “His endlessly original and inventive movies incorporate life, or transcend it. Trnka insisted that he was ‘local,’ and drew many of...

Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Mar 15, 2018 — Agnès Varda’s Mur Murs, a diverse and dynamic portrait of public art on the streets of Los Angeles, screens tonight at Omaha’s Film Streams.

Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...

Oct 4, 2017 — Vivian Qu’s Angels Wear White premiered in competition in Venice, screened in the Contemporary World Cinema program in Toronto, and now heads into the Official Competition at the sixty-first BFI London Film Festival. Little White Lies has asked ten LFF...