The Criterion Collection
Essays
Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.
On the Channel
Dec 13, 2016 — Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
On the Channel
Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...
Sneak Peeks
Dec 12, 2016 — Federico Fellini’s love letter to his home city, Roma, is a hallucinatory blend of everyday observations and extravagant spectacle. Interweaving memories of Fellini’s young adulthood with vibrant images of contemporary Rome, this semi-autobiographical journey through one of the world’s most...
On the Channel
Dec 11, 2016 — Earlier this week, we shared our interview with John Pierson, creator and host of the TV series Split Screen, which chronicled the emergence of a vibrant American independent film movement at the turn of the century. Almost two decades after...
On the Channel
Dec 8, 2016 — It may be the season of cheerful carols and twinkling lights, but the holidays also bring about a melancholy mood that has inspired some of the world’s greatest filmmakers. This week on the Criterion Channel at FilmStruck, our new series...
Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.
On the Channel
Dec 6, 2016 — Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...
Sneak Peeks
Dec 5, 2016 — A biting satire of bourgeois frivolity, the 1962 surrealist masterpiece The Exterminating Angel is one of Spanish auteur Luis Buñuel’s most macabre creations. In this follow-up to the scandalous, Palme d’Or–winning Viridiana, Silvia Pinal and an ensemble of Buñuel regulars...