As One

May 22, 2019 — Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.

May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.

May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...

May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.

May 20, 2019 — Triple crosses follow double crosses in this slick crime thriller.

May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.

May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.

May 18, 2019 — Diop’s debut fiction feature is a love story, a detective story, and a ghost story.

May 17, 2019 — The golden age of Japanese cinema would not have been the same without visionary cinematographer Kazuo Miyagawa, as the Criterion Channel’s now-streaming retrospective attests. Miyagawa, who over the course of his fifty-year career shot more than 130 films, brought his...

May 17, 2019 — Ly’s fiery fiction feature debut alludes not only to Hugo but also to Fuqua, Kassovitz, and Spike Lee.