The Criterion Collection
Features
Mar 11, 2020 — One Scene With his Oscar-nominated debut feature, Beasts of the Southern Wild, director Benh Zeitlin brought to the screen a vision of Louisiana that combined the unique flavors and textures of his adopted home state with the magical twists and...
Jan 24, 2020 — In 2017, writer-director Paul Schrader was enjoying one of the peaks of his storied career with the release of First Reformed, a deeply unnerving drama that grapples with his perennial themes of sin, guilt, and faith. During the production of...
On the Channel
Jan 23, 2020 — One of the most audacious voices to emerge in American independent cinema in the last decade, photographer turned filmmaker Khalik Allah trains his lens on communities of color rarely captured on the big screen. Whether celebrating the complexities of Jamaican...
Nov 16, 2019 — Greg Mottola’s irresistible first feature, the dysfunctional-family odyssey The Daytrippers, is one of the great stories of 1990s low-budget independent filmmaking. Shot for $60,000 on Super 16 mm in just seventeen days—with up-and-coming cast members like Parker Posey, Liev Schreiber, Hope...
The Daily
Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.
On the Channel
Oct 23, 2019 — With 2002’s Frida, Julie Taymor brought her bold imagination to the dramatic life story of a singular artist: the iconic Mexican painter Frida Kahlo. Made just five years after she found staggering success on Broadway with The Lion King, Taymor’s...
The Daily
Oct 18, 2019 — Maurice Pialat, Jean-Michel Basquiat, Béla Tarr, Robert Eggers, and Disney’s most notorious feature make for a rough and tumble week.
Oct 1, 2019 — Charlie Chaplin’s sidesplitting The Circus, the last movie he made during the silent era, is a true testament to the man’s genius, not only as a comedian in front of the camera but also as a director behind it. The...
Sneak Peeks
Sep 17, 2019 — With his last completed film, the sly, suggestive comedy of manners Cluny Brown, Ernst Lubitsch brought to the screen one of the most irrepressible, irresistible Hollywood heroines of the forties. The niece of a plumber in a Britain on the...
The Daily
Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.