Apr 24, 2006 This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.

Apr 24, 2006 M ade in 1965 and still considered by many to be Marco Bellocchio’s masterpiece, Fists in the Pocket foreshadows the years of student protest in a family tragedy bordering on horror. This seminal first feature catapulted the twenty-six-year-old Bellocchio to...

Apr 17, 2006 Another movie, another cause célèbre: this mysterious film by Orson Welles has been dismissed as a disaster and hailed as a masterpiece.

Apr 17, 2006 In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

Mar 27, 2006 Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.

Feb 13, 2006 John Ford’s biographical drama portrays an imaginary antebellum America with relaxed humor and effortless nostalgic charm while sustaining an underlying note of somber apprehension.

Jan 5, 2006 A gray flannel ghost story in which the living haunt the dead, the least appreciated of Akira Kurosawa’s midperiod collaborations with Toshiro Mifune throws open the windows of Japanese corporate corruption.

Nov 21, 2005 Akira Kurosawa’s late masterpiece is a tragedy fed by Shakespeare, Noh, and the samurai epic; it shows human brutality, warfare, and suffering as if from the eye of a dispassionate God.

Nov 7, 2005 Often appearing on lists of the ten greatest films of all time, called one of the most beautiful films ever made, or the most masterful work of Japanese cinema, Ugetsu comes to us awash in superlatives. No less acclaimed has...

Oct 24, 2005 Hideo Gosha’s swordplay drama captures rebellion against the Japanese feudal system, pitting its twin protagonists against each other but also, together, against the very notion of authority itself.

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