May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

Fits and Starts

The Daily

May 13, 2022 — It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.

May 12, 2022 — New York’s Museum of the Moving Image presents a series of nineteen films shot by the accomplished cinematographer.

Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.

Cinema Reborn 2022

The Daily

Apr 26, 2022 — The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.

Apr 25, 2022 — During a precarious time for film exhibition, Inney Prakash, a programmer at the Maysles Documentary Center in Harlem, New York, had an idea to rethink the bounds of nonfiction cinema. He ended up conceiving Prismatic Ground, a festival that launched...

A Lot of Gaul

The Daily

Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.

Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.

April Books

The Daily

Apr 13, 2022 — Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.

Apr 7, 2022 — An exhibition exploring the lasting impact of feminist video collectives opens today in Vienna.

Current Page
401
of 473

You have no items in your shopping cart