The Criterion Collection
Jul 3, 2013 — PerformancesIn Rosemary’s Baby, one of the first exclamations that Minnie Castevet (Ruth Gordon) makes on hearing the news that her young neighbor Rosemary (Mia Farrow) is expecting a little bundle of joy is “I can’t wait to tell Laura-Louise!” Earlier,...
Jun 28, 2013 — Did You See This?• The Times of Harvey Milk, Weekend, and other essential LGBT cinema • The Hitchcock 9 are here. • Badlands inspires a book of photographs. • Proving 8½’s influence • Remembering a stellar sci-fi scribe • The...
Jun 21, 2013 — Did You See This?• Lunching with Orson Welles • The doyenne of the New Queer Cinema is back. • Matt Zoller Seitz remembers James Gandolfini. • Television’s new golden age is a man’s world. • Kicking back with Dad •...
Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.
Sneak Peeks
Jun 12, 2013 — Among the special features new to our Blu-ray edition of Ingmar Bergman’s Wild Strawberries is a remarkable sixteen minutes of silent 16 mm footage filmed by Bergman himself on set. The images provide insight into how certain scenes were shot,...
Sneak Peeks
May 29, 2013 — The beginning of Mike Leigh’s new audio commentary track for Criterion’s release of his poignant domestic comedy-drama Life Is Sweet is just too charming not to share here. In these first few minutes, which span the film’s opening credits, the...
In Theaters
May 23, 2013 — Repertory PicksAudiences in New York have a chance to see a rarely screened cinematic spellbinder on the big screen this Memorial Day weekend. On Sunday, František Vláčil’s singular Czech triumph Marketa Lazarová will be playing at Anthology Film Archives as...
May 10, 2013 — Did You See This?• J. Hoberman bids farewell to Taylor Mead, original underground star. • The Chaplin fan club, youth chapter • Terry Gilliam unleashed • Isabella Rossellini, toadally • Greta Gerwig on repeat • A tribute to Ray Harryhausen,...
May 8, 2013 — There’s fashion forward and then there are the gonzo styles featured in William Klein’s surreal and savage Who Are You, Polly Maggoo?. A poke to the ribs of 1960s haute couture and a skewering of media pretension, Klein’s visually daring...
Short Takes
May 6, 2013 — The films of Max Ophuls, whose birthday we celebrate today, are luxuriously cinematic. His camera glides and tracks and cranes; we viewers swoon. But, as Molly Haskell has written, “the roving camera and the visual glissandos are never virtuoso flourishes...