White Man

Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Jul 31, 2024 — Vancouver’s Cinematheque presents parallel series of American and international classics and outliers.

Jul 29, 2024 — Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.

Jul 25, 2024 — During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.

Jul 23, 2024 — The festival will premiere new work from Pedro Almodóvar, Alice Rohrwacher, Alfonso Cuarón, and Athina Rachel Tsangari.

Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 18, 2024 — Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

Jul 16, 2024 — In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.

Jul 12, 2024 — We dive this week into the worlds of Jean Eustache, Walerian Borowczyk, John Ford, Kozaburo Yoshimura, and Chris Marker.

Jul 10, 2024 — This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.