The Criterion Collection
Essays
Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.
In Theaters
Oct 11, 2018 — If you’re in the mood for some auteurist horror, be sure to catch Marco Bellocchio’s Fists in the Pocket and Brian De Palma’s Sisters in New York this week.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
Oct 8, 2018 — Features by Tsai Ming-liang, Jodie Mack, and Gabriel Abrantes and Daniel Schmidt exhibit the range of the NYFF program.
The Daily
Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
Aug 21, 2018 — A mythic piece of early Finnish cinema gets reimagined in the short film The Moonshiners, now streaming on the Criterion Channel on FilmStruck.
Essays
Jul 16, 2018 — In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.