The Wound

Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Sep 9, 2021 — Critics find Kristen Stewart to be “both such a counterintuitive and oddly apt choice” for the role of Diana, Princess of Wales.

Aug 13, 2021 — This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Mar 24, 2021 — Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...

Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...

Jan 13, 2020 — A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.

Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”

Oct 16, 2018 — With Happy New Year, Colin Burstead, the British director returns to the nit and grit of his early features.

Jun 4, 2018 — An exhibition draws comparisons and contrasts between the works of the father and son.

Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...