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The Last One for the Road

Aug 11, 2008 Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...

Jul 14, 2008 Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.

Jan 5, 2006 Akira Kurosawa appreciated Shake­speare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.

Sep 13, 2004 About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....

Jul 14, 2026 One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

Jun 4, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful visits to cities across the United States and Canada. For our next stop, we are headed back to Los Angeles for...

Apr 21, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful stops in cities across the United States and Canada. For our first trip this year, in partnership with PAM CUT, Criterion...

Jan 22, 2026 Ryan Coogler’s genre mashup now leads what has become a genuine race.

Dec 16, 2025 Paul Reubens’s iconic character comes to cinematic life in this collaboration with director Tim Burton, who creates an on-screen world that evokes the unbridled joy and overwhelming terror of childhood.

Oct 28, 2025 The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.

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