The Four

Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.

Oct 4, 2019 — Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.

Sep 30, 2019 — One of contemporary world cinema’s most exciting filmmakers, Christian Petzold has, over the past two decades, built up a spellbinding body of work that grapples with his native Germany’s turbulent recent history, and its traumatic aftershocks. Now on the Criterion...

Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...

Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.

Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.

Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.

Apr 5, 2018 — In celebration of Jean-Pierre Melville’s centennial year, the Bryn Mawr Film Institute presents one of the director’s most masterful thrillers.

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...