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The End of the Tour

Apr 27, 2009 Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.

Jun 30, 2008 The novelist Mishima Yukio stepped behind the camera to adapt his own short story, which depicts the act of seppuku as a thing of beauty.

Hauntings

The Daily

Sep 5, 2025 We’re listening in this week on conversations with Charlie Kaufman, Alice Diop, and Zeinabu irene Davis.

Apr 29, 2025 In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.

Mar 25, 2022 With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Oct 20, 2020 At the start of The Gunfighter, Jimmy Ringo is a man with eleven kills to his name, soon to be twelve. But the only place he actually appears to be very violent, or even very vital, is in other people’s...

Jul 27, 2020 The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...

Jul 19, 2019 In 1983, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall undertook to make a documentary about the lives of homeless and runaway teenagers in Seattle, expanding on the work that Mark and McCall had done for a...

Feb 14, 2018 Until the Oscars are presented on March 4, it’s not yet too late to be looking back at the best of 2017. The Village Voice has polled over a hundred critics, and Phantom Thread has come out on top with...

Oct 1, 2017 “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...

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