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The Best Years

Jul 2, 2024 Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.

Tribeca 2024

The Daily

Jun 4, 2024 A doc on the Brat Pack, a new feature from Joel Potrykus, and an animated trip to Mars are among this year’s highlights.

May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

May 24, 2024 The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 24, 2024 During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 21, 2024 The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 16, 2024 Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 13, 2024 Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

April Books

The Daily

Apr 24, 2024 This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Apr 2, 2024 The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.

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